Why are we willing to suspend disbelief when we see a play


Why are we willing to suspend disbelief when we see a play, yet we demand so much more from a film production? Do you think that the limitation on special effects and alternative demand on the audience member to suspend disbelief is a weakness or a strength of the theatrical experience? Would you rather see The Tempest on stage or in film? Why?

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History: Why are we willing to suspend disbelief when we see a play
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