Q1. According to Saval, what was the big difference between American popular music in the 1960s and American popular music in the 1970s?
Q2. While Saval writes broadly about contemporary music and musical history, including many references to specific composers and artists, he offers no real close analysis of specific songs, performance, or genres. Why do you think he avoids doing so? Would his essay be stronger if he included more attention to particular songs and individual artists? Why or why not?