Problem
• What does Floyd mean by the term "musical trope"?
• In what sense does he suggest that call-response functions as a "master trope" able to encompass other tropes within it?
• How does Floyd see this master trope of call-response in relation to the activity of musical analysis?
The response should include a reference list. One-inch margins, Using Times New Roman 12 pnt font, double-space and APA style of writing and citations.