Unified filmmaking movement in the late 1920
Why did French Impressionism decline as a unified filmmaking movement in the late 1920s? What was the role of pressures from both inside and outside the movement in this decline?
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Identify the primary formal concerns of the “New Objectivity” trend, and explain how the films of G.W. Pabst demonstrate those concerns.
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Perhaps the most important artistic trend of the early twentieth century was labeled modernism. Summarize some of the principal tenets of modernism, and specify how these ideas influenced the development of the French Impressionism
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