Explain the meanings of the term ‘transnational cinema’ and why it can be useful to understand the contemporary panorama of film, illustrating your case with an example of one of the films below.
Memories of Murder (South Korea, Joon-Ho Bong, 2003)
Pan’s Labyrinth (Spain/Mexico, Benicio del Toro, 2006)
All About My Mother (Spain, Almodovar, 1999)
Women on the Verge (Spain, Almodovar, 1988)
This is England (UK, Meadows, 2006)
The Return (Russia, Zvyagintsev, 2003)
Bicycle Thieves (Italy, De Sica, 1948)
The 400 Blows (France, Truffaut, 1959)
Kes (UK, Loach, 1969)
Fishtank (UK, Arnold, 2009)
Festen (Denmark, Sweden, Vinterberg, 1998)
4 Months, 3 Weeks, 2 Days (Romania, Mungiu, 2007)
Le Grand Voyage (France, Ferroukhi, 2004)
The Edge of Heaven (Germany, Akin, 2007)
Berberian Sound Studios (UK, Strickland, 2012)
PatherPanchali (India, Ray, 1950-4)
AmoresPerros (Mexico, Inarritu, 2000)
The Motorcycle Diaries (Chile, Argentina, USA, Salles, 2001)
No (Chile, Larrain 2012)
Raise the Red Lantern (China, Yimou, 1991)
Beijing Bicycle (China Xiaoshuai, 2001)
Kung Fu Hustle (Hong Kong, China, Stephen Chow, 2004
You must use a range of sources and you must include a bibliography and a filmography. The bibliography should include at least five academically suitable sources
READ THIS TO GET SOME UNDERSTANDING;
https://breo.beds.ac.uk/bbcswebdav/pid-2355673-dt-content-rid-4562231_1/courses/14-15TYAAMED015-2/transnational%20cinema%20editorial.pdf