1. Explain what John D. Márquez means when he says, “the hybridity that I privilege is one that springs from shared forms of subjection and that is manifest in subjectivities” (Black-Brown Solidarity 16). How is this idea of subjectification and/or hybridity expressed in Virginia Grise’s Blu?
2. Explain Dolores Hayden’s concept of a “cultural landscape” (15-19) and compare or contrast with one of the following: a. Diana Taylor’s concept of the “scenario” (The Archive and the Repertoire 28-33)