How might we see process at work in genre cinema


Assignment Task: Very Long essay.

Karl Marx argues that the dominant ideology is so persuasive because it continually convinces us that it naturalizes, historicizes, and eternalizes. What does he mean by this and how might we see this process at work in genre cinema (in general) and in Meet Me in St. Louis (Vincente Minnelli 1945) specifically?

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Other Subject: How might we see process at work in genre cinema
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