A Circle Dance Song
Listen to Shizhane'e', CD 1:8, textbook pp. 51-52.
The A and B sections repeat after the C section, producing what Gary Witherspoon calls "dynamic symmetry" (p. 51).
Obviously the Navajo are concerned with form and shape in their art.
How does this symmetrical form support the meaning of the text?
Are there examples of this in Western popular music?