Compare Theo van Doesburg’s 16 Points of a Plastic Architecture (1924) and Le Corbusier’s Five Points of a New Architecture (1926). How do these two paradigms differ in terms of the following key elements and features: structural articulation, fenestration, spatial organization, and amenities? What kind of balance was achieved between aesthetics and function in these rival visions for a radically new architecture? Choose two or three categories to focus your analysis.