Problem: In their introduction to The New Politics of the Handmade: Craft, Art and Design (2020), Anthea Black and Nicole Burisch, co-editors of the book, state that their anthology 'takes on contemporary craft as a sphere of political action and debate. Draw on her presentation and the co-authored related texts available to you online to explore their critical position towards radical craft, politicized crafting, and the notion of a unified craft movement, that rest on assumptions of craft as inherently good, politically and socially progressive, and effective in addressing environmental degradation and climate change. Recall the 'case studies,' described by the editors and authors, and discussed by Black in her presentation.
Consider the radical potential of craft practices, of politicized craft, its capacity and agency in advancing social and environmental justice and progressive politics.
Discuss craftivism and craft washing. (Make sure answer is detailed and explained thoroughly)